Do you like poetry? Do you hate poetry? Either way, I urge you to check out this singular book by Kim Rosen, Saved by a Poem: The Transformative Power of Words.
I'm still reading and savoring this treasure on my Kindle. (The book-book comes with a CD, and the ebook also includes audio downloads which I have been unable to accesss. I eventually bought the paperback as well, mainly to get the CD -- which merits a review of its own; it is a truly special experience, a coming together of various poets' voices in a variety of ways, and it may echo in your head long after you have heard it once or twice.)
Not your preferred way to spend a Saturday night? I guess you must have missed that great show on HBO with Russell Simmons and Spike Lee which grew out of the Brooklyn poetry slams. (I absolutely must note here that the poetry slam concept actually originated here in my home town, Chicago -- which has also been home to the Poetry Foundation since 1912.)
Rosen says we place way too much emphasis on trying to understand poetry, analyzing it to death. She maintains that poetry really comes alive in the body and thus in the soul. The idea is to find a poem that speaks to you deeply and take it into yourself, make it part of your breathing and dancing, your journey, your quest for healing. She says that poetry can heal us. She won't get any argument from me. But don't worry that her suggestions have anything to do with the old stuff, the rote memorization we may have been assigned in elementary school. She counsels a whole other way of getting into a poem and letting it into you, and she predicts that it will change your life. I can personally attest to the truth of that assertion.
Other cultures know all this already -- way better than we do out here in the ad-glutted, mall-ridden, frenetically monetized U.S. of A. I don't really have any viable theory of why we are so conflicted about poetry, why some of us are positively repulsed by it, and plenty of us never think about it or deal with it at all if we don't have to.
In 2006, in the heart of Baghdad and in the midst of ongoing clashes and explosions, a thousand people -- both Sunni and Shiite -- came together in a gigantic tent to share poetry, to dance, and to weep together. Soldiers from both militias ended up joining in, and volunteering to guard the premises. The first such gathering was followed by many others. Poetry broke down the barriers between the factions and became a powerful force for peace. It satisfied some fierce craving people may not even have known they had -- some profound and urgent need that seems endemic to all of this earth, to all of humanity, even if some of us do not yet realize just what it is we are thirsting for down there in the depths of ourselves.
According to Rosen, "in many parts of Latin America, Ireland, and the Middle East . . . it is not unusual for spoken poetry to be heard as part of everyday conversations." According to her students from Ireland, people in that land routinely share poetry by W.B. Yeats or Dylan Thomas well into the night at the neighborhood pub. She also notes that in Iran, poets are national heroes -- and that fans line up in the bookstores of Tel Aviv for a new volume of poetry the way they do here for a best-selling vampire novel. Cubans spray-paint the poetry of Antonio Machado on walls. In the Middle East, there is one TV channel devoted exclusively to poetry -- inspired by the most popular prime-time program in the region, a kind of poetry recitation contest along the lines of "American Idol" which has more viewers than news or sports.
It is impossible to summarize this wonderful book in a brief review, or to distill its major points. The author has spent years studying and teaching poetry as a pathway to spiritual healing, and she has so very much to say on the subject. She shares her own experiences of darkness and despair, relating how bringing poetry alive within herself brought everything else into alignment -- how a true encounter with poetry, a long love affair with a special poem, can strip a human being down to her authentic self, and return her to a sense of oneness with everyone else, and mold her into a formidable force for teaching and healing others.
Rosen provides clear guidelines for doing this -- for adopting a poem and taking it to heart, living with it and nurturing it and letting it sing in your blood and bones. These are really very practical and comprehensible instructions, although I realize that in my enthusiasm, I may sound rather mystical or oody-doody about the whole thing. It is really not some esoteric byway of civilization. It is a crucial, essential part of our heritage, spanning the millennia since Neanderthal peoples, or so some scientists theorize, first spoke to one another in a language which was more like a kind of poem, or poem-song.
Of course the author scatters various poems throughout the book, including some of my own all-time favorites. If any specific quotation may conceivably deliver her message "in a nutshell," it is these lines from the physician-poet William Carlos Williams:
It is difficult
to get the news from poems
yet men die miserably
every day for lack
of what is found there.
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